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Author Topic: [MUL] The Legend of Zelda: Breath of the Wild - "Hateno Village (Day)" by Nacho2420  (Read 117 times)

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Submission Information:

Series: The Legend of Zelda
Game: The Legend of Zelda: Breath of the Wild
Console: Multiplatform
Title: Hateno Village (Day)
Instrumentation Solo Piano
Arranger: Nacho2420
« Last Edit: January 17, 2018, 06:26:19 AM by nacho2420 »
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nacho2420

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mikey

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first thing I notice is that on the last page the bass rhythm sounds to be going top middle top whereas you've written it as bottom middle top.  any reason for that?
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nacho2420

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The whole third page or a specific measure?
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mikey

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starting at like 1:06 in the youtube video which I believe is the start of the third page as well
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Luke 1:3

"It seemed good to me also, having had perfect understanding of all things from the very first, to write unto thee..."

nacho2420

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I hear both actually, now that you pointed it out. I may add the top octave in later today. But yeah, the bottom notes are in the original; it'll be more present if you use good headphones/speakers

Edit: Added the top octaves in the left hand for the 3rd page
« Last Edit: December 30, 2017, 03:26:56 AM by nacho2420 »
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Latios212

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Very nice work! I like this a lot.

- Small thing: you can put "and" on the second line of the composer info to even it out a bit.
- Though the right hand G is in its own layer between measures 1-2, I would recommend opting to hide the extra rests and flip the main layer's notes and articulations back to their original positions.
- Courtesy accidentals: They're nice to have, but a few I think are unnecessary, like the G in measure 9. On the contrary, it may be worth having one for the B flat later on in that measure, and for the C# at the beginning of measure 45.
- You've got some tie collisions in measure 12. Flip beats 1 and 2 downwards in the right hand. Similar thing in measure 14, flip those beats back downwards and make sure the slur isn't hitting anything.
- I'm not sure I hear the C naturals under the D's in the first half of measure 13...
- In measure 23, the timing of the B-A is too late. It should strike before beat 2.
- The D's between measures 25-26 should be tied.
- Flip the inner ties between measures 37-38.
- I would suggest splitting the layers on beat 4 of measure 40 as you did in measure 36.
- The slurs above the right hand in measures 36-41 right now are misleading as they start in one layer and end in another. To amend this, we can use one slur from the E at the end of 38 to the chord, one above the phrase from 38-40, and one below the notes in m. 40-41. Or something like that; experiment a bit and see what gives the most clarity.
- The voices in the right hand of the last system are difficult to follow. May I suggest something along the lines of this?

« Last Edit: January 14, 2018, 05:26:54 AM by Latios212 »
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nacho2420

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All fixed!!
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