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The Official Wind Waker Project

Started by Latios212, December 28, 2016, 06:36:14 PM

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Bloop

Jalhalla
[MUS]

Is it really necessary to also arrange the "[insert boss] 2nd time" themes? I feel like it'll be almost the same arrangement as the original boss themes.

mikey

If memory serves the flashbacks sound pretty different
unmotivated

Bloop

Quote from: NocturneOfShadow on January 06, 2017, 01:37:49 PMIf memory serves the flashbacks sound pretty different
Well they do, but note-wise they're pretty much the same.

Latios212

I haven't listened closely, but:
- No one has to arrange the second version. The list is there, but we're not going for 100% completion.
- If they're that similar you can probably incorporate it into your sheet (a few different ways this can happen).
My arrangements and YouTube channel!

Quote from: Dudeman on February 22, 2016, 10:16:37 AM
who needs education when you can have WAIFUS!!!!!

Spoiler
[close]
turtle

Sebastian

I'll take
Disc 1:
20) Forsaken Fortress Invasion 1
22) Forsaken Fortress.
23) Imprisonment.
26) Rendezvous With the Ship 2
27) Rendezvous With the Ship 3
73) To Hyrule
Disc 2:
01) Sealed Hyrule Castle
Question: This song is basically a decrepit version of Hyrule Castle, but with just the Introduction and the Conclusion. You think I should just not do it or..? Either way works for me.




mikey

unmotivated

Latios212

Because you claimed like ten songs?
My arrangements and YouTube channel!

Quote from: Dudeman on February 22, 2016, 10:16:37 AM
who needs education when you can have WAIFUS!!!!!

Spoiler
[close]
turtle

mikey

No I mean like randomly in the op not next to a song
unmotivated

Latios212

My arrangements and YouTube channel!

Quote from: Dudeman on February 22, 2016, 10:16:37 AM
who needs education when you can have WAIFUS!!!!!

Spoiler
[close]
turtle

Sebastian

[GCN] The Legend of Zelda: Wind Waker

Forbidden Woods     




Sebastian

[GCN] The Legend of Zelda: Wind Waker

Forsaken Fortress Invasion 1     

I. Hate. This. Song.




Brassman388

Turn those sharps in the 2nd tenorline into naturals and you'll be in business.

The flute line could use some work as well. That's where I would use double sharps.

Sebastian

Quote from: Brassman388 on January 08, 2017, 10:52:31 AMTurn those sharps in the 2nd tenorline into naturals and you'll be in business.
Are you referring to the double sharps?
I mean, this song is really weird. I don't know if there is any "correct" way.
I used Fx because I think it'd be weird to have G naturals and C#s in the same measure (it seems to contradict the V [G#min]; same with the Fx and B#/C# combo in M. 9.

Quote from: Brassman388 on January 08, 2017, 10:52:31 AMThe flute line could use some work as well. That's where I would use double sharps.
The only double sharp(s) that sounds reasonable in the flute section would be in M. 22--a Cx vs. D nat.



Brassman388

At this point, you want the most logical and smoothest line possible, despite the theory behind the chord structure.

That's up to you, though. From a performer's standpoint, it's a bit hard to read.

Sebastian

Quote from: Brassman388 on January 08, 2017, 03:02:10 PMAt this point, you want the most logical and smoothest line possible, despite the theory behind the chord structure.

That's up to you, though. From a performer's standpoint, it's a bit hard to read.
Very, very true. I'll see what I can do.