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Messages - Lkjhgfdsa_77

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The Werewolf Game / Re: TWG XCVI: The Great Minnesota Get-Together
« on: September 13, 2017, 07:48:40 PM »
Lkjhgfdsa, since this is your first time playing here, let me explain what you are expected to do.

Understood. I have read the PMs that I got so far, but I will wait for more to make any more actions.

The Werewolf Game / Re: TWG XCVI: The Great Minnesota Get-Together
« on: September 13, 2017, 06:32:02 PM »
Truthfully though it almost seems too perfect. I haven't played with Brainy before but unless he's a really, really bad player, this almost seems too obvious, almost like he's going out of his way to make sure he's lynched day one.
Either suspicious or makes sense, I'm not sure. I couldn't think of any item or ability that him being lynched would benefit from (except maybe Fat Werewolf ability), but I feel like we might be walking into something...

The Werewolf Game / Re: TWG XCVI: The Great Minnesota Get-Together
« on: September 13, 2017, 12:20:58 PM »
. . .
.  .  .
I am the Control Freak.

The Werewolf Game / Re: TWG XCVI: The Great Minnesota Get-Together
« on: September 13, 2017, 02:17:00 AM »
3. Everybody confirm that you are not the control freak. Please be honest about this. If you are the real control freak, come out and say so. If everyone confirms that they are not the control freak, we know that Brainy is.
I understand how this will work, but to me it seems a bit suspicious -

1. If everyone complies, it confirms Control Freak, an influential special role
2. Because everyone knows (including wolves), the wolves could kill the Control Freak claim and effectively secure item positions for the rest of the game (fine, except baklava)

Yes, I know "be honest," but someone could lie about / could have already lied about their role for this very reason. So - are we willing to effectively publicize this role?

The Werewolf Game / Re: TWG XCVI: The Great Minnesota Get-Together
« on: September 13, 2017, 01:34:01 AM »
I never said I was human? The only reason I did that was to throw E. GADD off, since I knew he'd probably post the log

If you were trying to throw him off...
Quote from: E. Gadd's PMs with Brainy
I'm not really the Control Freak I'm a wolf
No, I'm not really a wolf I just have the cookie and want you to put it out of play.
Actually I am the foodie (not completely contradictory with the previous one but eh)
Just kidding I am the other blue role
... then why change your story multiple times?

The Werewolf Game / Re: TWG XCVI: The Great Minnesota Get-Together
« on: September 12, 2017, 12:30:17 PM »
this is what happens when i dont check the forums enough

Hello, I'm alive and playing in this round. Time to read the entire Wikipedia page on the fair.

Edit -
Quote from: Wikipedia
In 2007, one new food was spaghetti on a stick.
how does this work

The Werewolf Game / Re: TWG XCVI Sign-ups
« on: September 10, 2017, 11:30:27 PM »
I'm not the best at TWG, but since I sort of know how to play... I'm in unless someone else really wants to join this round. I'll try to be online with school and everything else happening.

People on the NSM Discord have been talking about having the update power through the submissions board, so I decided to put another sheet up for submission. I didn't go through it again like I do with my other submissions, so it might be a little rough around the edges. Also, do not confuse this track with the similarly-named "Menu Theme" from the same game.

Did some work on the old Shinshu Plains arrangement from Ōkami [Okami]. After actually playing more of the game and looking into it, I decided to make a single arrangement for both parts of the track, because they lead into one another in the game, and the individual tracks will be labeled. I also decided to add a second piano to allow for more notes to be played and to better grasp the orchestral qualities of the piece. This let piano 2 play the four-measure string repeat so piano 1 could give more to the melody. However, after m25, and to a lesser extent the entire arrangement, the arrangement sounds "empty" and not as full as the original, and I don't know how to fix it.

Shinshu Plains (Two Pianos)||Ōkami [Okami]
35%, hard to arrange but some progress was made.mid.pdf

Great sheet, but I just have a couple of nit-picky suggestions -

 - m6 LH - the flag of the first 8th note (quaver) collides with the sharp sign right after. Just clicking on the notes with the entry tool should fix it
 - m10 RH - this may just be me, but the last quarter note (crotchet) doesn't extend into the second portion of the beat, but you could've also done it to not have a single 8th (quaver) rest on the end,or it's just a matter of the soundfont used for that section, and the piano can't "sustain" a note, so the difference of holding it down for an extra fifth of a second doesn't matter, and a human performer will likely drop it before then anyway to get to the next chord, just do whatever you want...
 - m14 RH - the 16th note (semiquaver) grouping in beat 2.5 is the only part in the measure beamed down... it might look better beamed up with everything else.
 - m15-17 LH - the 8th notes (semiquavers) in the middle are too squished together. Clicking around with the entry tool should also fix this.
 - m18 - the first two beats of this measure can benefit from articulations - I'm hearing the C chord in beat 2.5 tenuto (and possibly (see second point) taking up the first half of beat 3) and everything else staccato
 - Copyright - Publisher might go before developer, but I'm not exactly sure. "HAL" in HAL Laboratory is completely capitalized. The beams from the bottom system are blocking out some of the copyright, but it's fine if you can't fix that now.

Hey, if you want, I can do a few tracks.
I will plan on doing Edge of Green, The Red Locus, Memories of the World, and Historia.
Noted in the chart in the OP.

Arranged A Great Spirit Lies in Wait from Ōkami [Okami]. Despite being very percussion-oriented and not fitting well for piano at all, I decided to arrange it because I wanted to play around with the percussion that was featured in the track. I ended up adding six different kinds of percussion and extended techniques as well as an "arranger's note" saying that my approximations may not be completely accurate to the original. The first half of the track and the last measure is played without time, so I wrote in a general "Adagietto Rubato" tempo and approximated the timing. I also grouped these measures in a 6/4 or 3/2 pattern despite being in a 12/8 time signature, and I can't anyway, but I didn't know if I should have changed it. With all the text everywhere, the arrangement will also need an overhaul of the formatting.

The Radiant Historia project should return soon. I just felt like doing this.

A Great Spirit Lies in Wait||Ōkami [Okami]
70%; notes are there but needs lots of formatting.mid.pdf

Can I have one of those for my wall
I've been considering getting posters printed and selling those (possibly along with other prints), but with my relatively low following, I'm not sure who would actually buy them.

Looks great by the way!
Thank you (both) for the compliment!

New blog post -

Post-it Art - Items Menu Wrap-up


Also, an older blog post I never put on here yet -

Expressions of Link - "Ecstatic"

(Japanese included)

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