Wow, nice work everyone!
You know, if I wasn't told 3 days before the update I would've submitted something else.
You know, if I wasn't told 3 days before the update I would've submitted something else.
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Show posts MenuQuote from: Onionleaf on October 28, 2016, 02:22:36 AM• Don't forget to add a dynamic marking in the beginning.Wait... It was there in my unformatted file...
Quote from: Onionleaf on October 28, 2016, 02:22:36 AM• The first 6 measures seem to be missing the needed "drive". Perhaps including those softer 16ths notes in one hand would help?I had to alter it slightly, but it's there now. It's a bit loud though.
Quote from: Onionleaf on October 28, 2016, 02:22:36 AM• The LH notes after G step down in semitones, so the notes in m7 should be F naturals.I swear I'm hearing a solid E there.
Quote from: Onionleaf on October 28, 2016, 02:22:36 AMSimilar pattern in the LH m11-12 as well as m19-20, which you actually wrote correctly in m15-16, so you can just move/copy those two bars to fix that.Dunno how I failed to recognise that. Whoops.
Quote from: Onionleaf on October 28, 2016, 02:22:36 AM• I feel like I'm hearing a C note on the first beat of measure 17.That's because there is one and I somehow missed it.
Quote from: Onionleaf on October 28, 2016, 02:22:36 AM• m. 24, on the 3rd beat, it sounds like there should be a minor second chord there where the two melodies play together.Correct, there is indeed a minor second, and I did recognise it while arranging. I decided against it because it clashes with the very next note.
Quote from: Onionleaf on October 28, 2016, 02:22:36 AM• Maybe have the funky beat in m. 41-43 be at a higher pitch to make it sound a bit more like the original?It sounded pretty bad when I tried that. I might just get someone to replace it with an actual beat.
Quote from: Onionleaf on October 28, 2016, 01:40:22 AMA couple more arrangements to share, one of which has been lying around half-finished for years.Usually if anything reaches an age over 4 months I just rearrange it.
Quote from: Onionleaf on October 28, 2016, 01:40:22 AMOoh... I'm interested.
Quote from: Chris on October 26, 2016, 09:43:49 AMHi, drummer and percussionist here.Look! It's someone who knows what they're talking about!
Quote from: Chris on October 26, 2016, 09:43:49 AMThe Main Menu song is not 12/8.We should probably fix the one on site then.
Quote from: Chris on October 26, 2016, 09:43:49 AMIn any time signature the bottom time defines the fundamental beat of the time signature, and this song very clearly has the fundamental beat occurring 4 times per measure. The bottom number is also usually considered the note type that you "count" and this is just way too fast to be 12/8. The correct way to notate this song would be 4/4 with triplets for all subdivided beats. Someone could argue for 2/4 with triplets, but I think the note groups clearly lead toward 4 beats.I'm learning.
Quote from: Chris on October 26, 2016, 09:43:49 AMAlso, this is NOT the same thing as swing. Swing and triplets are not really the same. Swing CAN have a triplet feel, however swing is actually not rigidly defined. Actual swing can be anywhere from almost straight feeling to more of a 16th note feel. In addition, as the tempo of a song increases the swing of a song often decreases, though you can definitely still have a light swing in a slow song (heavy swing in a fast song is almost impossible). This is one reason why, if you look at a jazz lead sheet, you will see the song written with straight eighths, dotted eighth/sixteenths, or broken triplets. And ironcally, none of those actually indicates how you should feel the swing. Triplet swing tends to be a reasonable approximation for many cases, and that's probably what most of the actual swing songs in this game are since you have to "pick" one for a digital game, but the main point is that having a triplet feel isn't the same thing as swing.Ok, so the idea is, because triplets aren't the same as swing, it definitely should not be in 12/8, but we should get Main Menu notated in 4/4, with triplet swing as an "approximation". Hilarious because I originally notated it in 4/4 with triplet swing.
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