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If it was purely for visual highlighting, you could also do something like this:
In which the player can still decide to play with the R.H. if they want. Keeping it as is is fine too though, in which the player can still decide to play it with the L.H., haha

Yeah I think I'd still prefer to keep it as is, it makes the most sense to me separated on the other staff

I can kinda hear the pitches in the original, but much less the actual attack of the notes, which makes me think they're overtone shenanigans. The difference isn't particularly big though, so I don't mind if you leave them in. Upon listening this part again I do think I hear a Bn above the L.H. Ab in beat 3.5, it sounded like there's more than two unique notes there.

It's a bit hard to tell for sure, but what I have written in right now makes the most sense to me - not cluttering with too many notes, but including a countermelodic line that fits in.

Everything else looks good though! Maybe you could add some dynamics in the m30-32 and m38-40 sections? The rest of the piece seems to stay in that p range, but in those sections there's a bit of a crescendo and decrescendo. An actual dynamic marking might be a bit overkill, but a crescendo and decrescendo probably gets the point across that there's something happening here.

I wasn't sure at first since a lot of the ebb and flow of this piece (both in terms of timing and volume) is pretty loose and up to the performer to draw out, but yeah these couple of places make sense! I haven't specified a dynamic level, just added hairpins to show that it swells a bit.

Files updated! ^^

The OP has files for your Mega Man sheet! Looking forward to going over this one soon though, I love this piece and the file I downloaded before looked good~

You'll notice that I took a certain liberty from m. 9 through 16, and that involves replacing the original bass line with an inversion of the accompaniment pattern, rather than transcribing the bass line verbatim while omitting the accompaniment. This may come across as a controversial change, but with all due respect, I stand by it as this setup preserves the groove far better than the alternative. Aside from that, this is a pretty straight-forward arrangement.

This all looks good to me! No qualms, sounds fine and is reasonable to play.

Only correction to suggest, I think - second to last note in m. 19 LH should be G instead of F?

Oh, and please change the sheet's title to "Quick Man Stage" Thanks!

Will get that a bit later!

Bumping this up. Is this one done??

See Bloop's comment above

Glad to see a replacement for this one especially given how popular this piece has been lately. The one we have now isn't bad but is showing its age. Here are a few passing comments as I skim this over:


I feel like the voicing for the chords needs some work. In m. 3-8, the jumps are very large and pretty difficult to pull off accurately at this tempo. Could you try inverting the triads downwards and/or using dyads instead to make it easier on the left hand? I can provide some suggestions if you like.

In measures 12+, the bass is missing and having the left hand play the mid-range chords. I think this could be addressed by making sure you have your inversions correct (ex. m. 12 plays Eb in the bass) first and thinking about what other chord tones would make sense to include from there. Again, happy to suggest some options if you like.

For m. 19, use a regular An instead of Bbb. In measure 22, make sure to keep your intervals consistent. The second chord would work better written as a simple Dm triad, and last one as Bm. (Technically could be Ebbm and Cbm but we could do without that many flats lol)

What, no. I did move them down. Quite a bit, too.

Ah, I see. I don't mean to overindex on this point, but I did want to make sure I explained myself properly (reference post).

With what you have right now, the header has a disproportionately small amount of space above the top staff. By contrast, the bottom of the page has a lot of whitespace, which makes the distribution of stuff on the page look a little lopsided.

Spoiler

[close]

If you lower the top staff some more to give the header more space underneath, you also help the page look a bit more balanced.

Spoiler

[close]

[approve]

Lastly, you can move the music down on pages 2-3 a little bit to give the header and page number a bit more room. I think that's all that remains from me, nice work!

Missed this too?

Anyway, everything else looks good so I'll approve! Nice work, glad to have more Rhythm Heaven sheets!

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-m7 and 17: I hear an A in the R.H. below the C on beat 2.5 (not quite sure though), and a D below the A in beat 3.5 (a little bit more sure about this one)

The A on beat 2.5 sounds good, but the D making the fifth sounds a bit out of place, I think, so I left that out for now.

-m18: I hear a Bn in the R.H. too on beat 2. I also wonder if F# in beat 1.5 might make more sense than Gb, because of the leading-tone to G expectation that gets subverted. Keeping it as Gb is fine too though ^^

I agree with both of these points! Updated accordingly

-m29: It's a bit hard to hear but it feels like there's a Bb on beat 2 in the L.H. too (which would mirror m26 pretty well too)
-m30: I hear a D on the bottom of beat 1.5 R.H. too

Yep!

-m35: Is there a specific reason you wrote the lower counter melody in the R.H.? It's probably easier to play it with the L.H.

Haha, I didn't even think about that. Maybe it's due to already writing it in the RH in measure 33. But I do prefer having the right hand play it, to highlight that line a bit better compared to the chords. It's not a particularly fast piece so the jump down from the high octave doesn't bother me at all.

-m37: I think I hear the Bb and D restruck on beat 2 too, together with the En

I'm not totally sure I hear this one, but would be consistent with the chordiness of the rest of the section so it makes sense! That said, I really don't hear the major second between the Dn and E if the D was restruck, so I only wrote in the Bb underneath.

-m39: I think the R.H. just plays single notes in beat 2.5-3.5 (the top notes), other tones might be overtones or stuff tricking the ear

I'm actually really glad you said that, because this measure was giving me by far the most trouble to play LOL. I still think I hear Bn-A on beats 3-3.5 which lead nicely into the G in the next bar, but they do double the left hand so they might not be the most necessary. I left them in for now, lemme know if you think that seems reasonable.

-m44: Maybe you could add a fermata or caesura at the end of this bar? There's quite a long pause and even a pedal switch before ending on the last chord.

Works for me! Added a fermata to the last RH note (and the LH quarter note too, I guess?)

Thanks for the check, files updated

Alright, I've decided to keep thing consistent and accurate, since it sounds perfectly fine to me, I'm keeping them as C's.

Sorry for the wait here! I'm fine with your decision. I'd probably have written it as a Bn but the major seventh is pretty quick to pass and keeping the bass rooted in C makes sense musically.

Otherwise, I believe everything should be updated fine.

Skimming through everything else, I think the rest of my comments were addressed, except this one:

- m. 29 beat 2.5 chord sounds like C instead of Db.

Lastly, you can move the music down on pages 2-3 a little bit to give the header and page number a bit more room. I think that's all that remains from me, nice work!

[looks good]

Ah, you're right! It's a bit odd that the strings stay on the D above the melody, but I think it's alright as is.

Nothing more to add, this looks good to me! Very nice work.

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This piece never gets old! Zelda getting edgy in m. 25+ in this version though...

The notes look great! Except... there's actually another 8 bars of the piece before the loop. You could probably fit 5 systems per page when adding that in.

Noc!! So happy to hear from you and that you are doing well overall!

[Approved]

Great! You're welcome, and this sheet looks good to me. Approved!

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[20]

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[NES] Batman: The Video Game
"Game Over" by Yug Guy

[PS5] Final Fantasy XVI
"My Lady" by Fantastic Ike

[SNES] Front Mission
"Shop" by Static

[MUL] Genshin Impact
"Clio's Memoirs" by Latios212

[NDS] Kirby Super Star Ultra
"Masked Dedede" by LeviR.star

[MUL] Mega Man 11
"Fuse Man Stage" by LeviR.star

[GG] Megami Tensei Gaiden: Last Bible Special
"Opening" by Code_Name_Geek

[SW] Octopath Traveler
"Enveloped in Kindness" by Latios212

[SNES] Pilotwings
"Flight Club" by Static

[NDS] Pokémon Black Version & Pokémon White Version
"Game Sync" by Kricketune54

[SW] Pokémon Scarlet & Pokémon Violet
"Title Screen 2" by Th3Gavst3r

[NDS] Shiren the Wanderer: The Tower of Fortune and the Dice of Fate
"Top Menu" by G-Han

[ARCADE] Tekken 2
"Fighter Select" (Replacement) by Fantastic Ike

[GB] Tetris
"2 Player - Results" by Code_Name_Geek

[SW] The Legend of Zelda: Tears of the Kingdom
"Lookout Landing" by XiaoMigros

[MUL] The Legend of Zelda: Twilight Princess
"Diababa Battle (Second Half)" by Bloop

[GEN] ToeJam & Earl
"Alien Break Down" by Nine Lives

[Wii] Xenoblade Chronicles
"Once We Part Ways" by Cashwarrior1

[SW] Xenoblade Chronicles 3
"The Bereaved and Those Left Behind (Piano ver.)" by XiaoMigros

[PC] Your Turn to Die -Death Game by Majority-
"PRAYER" by mastersuperfan